Tuesday, July 13, 2010
Anywho, The Good Guy is narrated by a young, hansom Wall Street trader who wants to tell us a story about how he lost the woman of his dreams. Surrounded by Gordon Gekko types, this gentleman is presented to us as a nice guy who stands up for his friends, vouches for the underdog and cherishes his girlfriend; the Wall Street veneer is only a means to make the money needed to really do something great with his life. And that is where we are all wrong. He has told us that's who he is and shown us only the parts of his life that back that claim.
I honestly cant tell you anything else or I will ruin the film. If you are like me and continuously searching for an intelligent girly movie to sink into after a long day, this might be as good as it gets without becoming political, hence the need to honor this film for its departure from the formula.
Generally in these romantic "Chick-flicks" we can trust that the narrator is truthfully telling their side of the story. The Good Guy subverts this assumption and uses it later to present the real thesis of the film: who is the good guy, and are people ever really who they seem to be? Maybe that sounds a bit cynical, but its a fairly common experience to create an ideal fantasy in a new relationship, and The Good Guy plays with this phenomena. Direction, acting, cinematography were all average, but the script, concept and execution were surprisingly fresh.