 Nope, definitely not a comedy. What !?!, you most likely exclaim...How can this weird western-slash-sci fi staring James Bond and Indiana Jones and set in 1880's-ish dust-bitten America where yokels battle a bunch of ET's NOT be some sort of campy parody? Fact: This premise is odd, and maybe doesn’t work without suspending disbelief to an unhealthy degree, yet is somehow unhindered and temptingly curious. Question: Why would anyone risk making such a ridiculously silly film? A silly film that obviously takes itself very seriously? Answer: Because its Spielberg, that’s why (well, his production company anyway). And this is what made Spielberg THE famous groundbreaking visionary formula setter of our modern Hollywood age that he is.
Nope, definitely not a comedy. What !?!, you most likely exclaim...How can this weird western-slash-sci fi staring James Bond and Indiana Jones and set in 1880's-ish dust-bitten America where yokels battle a bunch of ET's NOT be some sort of campy parody? Fact: This premise is odd, and maybe doesn’t work without suspending disbelief to an unhealthy degree, yet is somehow unhindered and temptingly curious. Question: Why would anyone risk making such a ridiculously silly film? A silly film that obviously takes itself very seriously? Answer: Because its Spielberg, that’s why (well, his production company anyway). And this is what made Spielberg THE famous groundbreaking visionary formula setter of our modern Hollywood age that he is. I won’t insult your intelligence by repeating a plot outline when the title so clearly gives it all away. Daniel Craig is our protagonist, an unwitting hero who we are not convinced at first isn't a villain. Well played, Craig brings the wiry desperation and confused ruthlessness of a trained killer with amnesia to a whole new level as he plays Jake Lonergan...an obvious Twain-ian play on names. Jake's nemesis turned frienemy turned battle brother is Woodrow Dolarhyde, humbly played by Mr. Jones himself Harrison Ford, who manages a moment or two of authenticity in his attempt at acting. Ford clearly is a wizened vehicle for steadfast and sturdy foundational acting, lay down the bedrock upon which Craig can brilliantly carve out a bizarre character, deep, brooding, sad, and animalian in scope of danger - nearly alien himself in a depth of calm while faced with certain doom.
Loyal to the Spielberg-ian repertoire we find a weird plot, an unwitting hero, a conflict of impossible proportions, a woman who needs saving and another who sacrifices herself so that the men may lead the other men to victory....oh yeah and a kid and a dog. While Spielberg didn’t direct this film, he earned an executive producer credit and Cowboys vs. Aliens is saturated in his aesthetic stamp.
Basically - I liked it.
 
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